https://socictopen.socict.org/files/original/a38e123ccbd13e6a3a812d1a8282de50.pdf eb62e97a30e600d8d88659704a698fa0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coronavirus Description An account of the resource Dominio científico: Coronavirus Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The soundscape of the ceremonies held for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614 Creator An entity primarily responsible for making the resource Tess Knighton, Ascensión Mazuela-Anguit Description An account of the resource The beatification of Saint Teresa of Ávila in October 1614 gave rise to widespread celebrations in many of the cities and towns of the Iberian Peninsula. Printed relaciones describing these celebrations, despite their limitations —in terms of political agenda, propaganda, rivalry and literary style— can nevertheless provide information about musical experience and can help to recreate the ephemeral soundscapes of these events. This article will focus on the ceremonies held in the Crown of Aragon, especially Saragossa and Barcelona, taking into consideration the typology of different musics —heraldic, divine and festive— and factors such as the moment in time, function, dynamic, urban spaces and blurring of boundaries, public (listeners), musical resources and performance practice, repertories and genres, signifiers and associations for listeners, and impact. La beatificació de Santa Teresa d’Àvila a l’octubre de 1614 va donar lloc a celebracions generalitzades en moltes de les ciutats i pobles de la Península Ibèrica. Les relacions impreses que descriuen aquestes celebracions, malgrat les seues limitacions —en termes d’agenda política, propaganda, rivalitat i estil— literàries, poden, tanmateix, proporcionar informació sobre l’experiència musical i poden ajudar a recrear els paisatges sonors efímers d’aquests esdeveniments. Aquest article se centrarà en les cerimònies celebrades a la Corona d’Aragó, sobretot a Saragossa i a Barcelona, tenint en compte la tipologia de les diferents músiques -heràldiques, divines i festives- i factors com ara el moment en el temps, la funció, els espais dinàmics, urbans i difuminació de fronteres, el públic (els oients), recursos musicals i pràctica interpretativa, repertoris i gèneres, significants i associacions per als oients, i l’impacte. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Subject The topic of the resource urban musicology, Teresa of Jesus, beatification festivities, musical experience, Crown of Aragón Identifier An unambiguous reference to the resource within a given context DOI: Source A related resource from which the described resource is derived Scripta: Revista Internacional de Literatura i Cultura Medieval i Moderna Publisher An entity responsible for making the resource available Universitat de València Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Medieval history, Literature (General), Modern history, 1453- Language A language of the resource CA, EN, ES, IT