https://socictopen.socict.org/files/original/c4fadc6adc1d4985e6a6bb2ce61141ad.pdf 52228e98fefefe13024db50d39ea762b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Agricultura sostenible Description An account of the resource Dominio científico: Agricultura sostenible Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El Documental Interactivo en la Era Transmedia: De Géneros Híbridos y Nuevos Códigos Narrativos Creator An entity primarily responsible for making the resource Alvaro Liuzzi Description An account of the resource El nuevo escenario mediático, marcado por la convergencia de dispositivos y cruzado transversalmente por las Narrativas Transmedia, ha abierto enormes perspectivas a nuevas formas de producción y consumo para el género Documental. El clásico producto analógico/audiovisual, es capaz de reconvertirse en digital e interactivo extendiendo un nuevo relato hipertextual, a través de diversos medios y plataformas con participación activa de los usuarios. El género documental, que ha cumplido históricamente un rol fundamental en la cultura, adquiere hoy nuevos límites creativos gracias a la tecnología. Frente a este contexto, el desafío para los creadores reside en ser capaces de hallar códigos narrativos originales para los medios del siglo XXI. El presente artículo pretende analizar estas nuevas formas de producción y consumo adquiridas por el género a través de los casos de estudio 'Proyecto Walsh' (2010) y 'Malvinas/30' (2012). Interactive Documentary in the Transmedia Age: Hibryd Genres and New Narrative Codes The new media landscape, marked by the convergence of devices and cross-cut by transmedia narratives, has opened up huge prospects for new forms of production and consumption of gender documentary. The classic analog/audiovisual product can be switched to digital and interactive, spreading a new hypertext narrative through various means and platforms with active user participation. The documentary genre, which has historically played a key role in culture, has now acquired new creative boundaries thanks to technology. The challenge for the creators lies in being able to find narrative codes for the 21st century. This article aims to analyse these new forms of production and consumption acquired by the genre through case studies of 'Project Walsh '(2010) and 'Malvinas/30 '(2012). Keywords: Documentary, Transmedia, Journalism, Rel Time, Historytelling, Media Ecology. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Subject The topic of the resource ECOLOGÍA DE MEDIOS, Historytelling, Periodismo, Tiempo Real, Transmedia, documental Identifier An unambiguous reference to the resource within a given context 10.25029/od.2015.52.8 Source A related resource from which the described resource is derived Obra Digital Publisher An entity responsible for making the resource available Universitat de Vic - Universitat Central de Catalunya Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Communication. Mass media Relation A related resource <a href="http://revistesdigitals.uvic.cat/index.php/obradigital/article/view/52" target="_blank" rel="noreferrer noopener">http://revistesdigitals.uvic.cat/index.php/obradigital/article/view/52</a>